For example, we can design and simulate a show’s lighting from start to finish, and then program and adjust each setting to accommodate any number of scenarios that might arise on tour.
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No two shows or events are the same. Each one requires different tools and technology.
Traditional projectors, slave models, LED lighting, special effects, automatic camera chase systems—you name it, we have it! These machines allow us to fulfill any request, from the simplest to the most complex.
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Just like sound, lighting is managed by a console, the central nerve center for all light sources connected to the network.
Depending on the console, the lighting engineer can either control the lighting in real time or use pre-recorded programming.
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With sensors, infrared signals, cameras, and projectors that track the performer’s movements, we are ready to respond to whatever happens on stage.
Thanks to this innovative technology, we can also direct the sound towards the performer, like in video mapping mode.
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